In Rome in 1901 he met Umberto Boccioni, and the following year he became acquainted with Giacomo Balla, who had studied in Paris. . Seal osales ka Medicite villas kunstitundides ja 1901. aastal kohtus ta Umberto Boccioniga. Gino Severini’s Dancers and His Theatrical Milieu Maria Haidinger. We have identified these works in the following photos from our exhibition history. Scoprite Gino Severini. He was associated with neo-classicism and the "return to order" in the decade after the First World War. Informatevi sulle opere di Gino Severini attualmente offerte e vendute presso la casa d’aste Dorotheum. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. In this respect, Le Boulevard is one of Severini's best-known early works. ", "M Severini favors low shows and socks of different colours...This Florentine coquetry exposes him to the risk of being thought absent-minded, and he told me that café waiters often feel obliged to call his attention to what they suppose is an oversight, but which is actually an affectation.". ©2021 The Art Story Foundation. Severini began his painting career in 1900 as a student of Giacomo Balla, an Italian pointillist painter who later became a prominent Futurist. From 1928 he began to incorporate elements of Rome's classical landscape in his work. GINO SEVERINI Arlequin (Danseuse) fu dipinto nel 1962 e proviene dalla collezione privata di Alain Delon; con i suoi movimenti drammaticamente dinamici, tipici di una figura danzante, rappresenta uno dei principali soggetti che contrassegnarono la carriera di Gino Severini. Italian Painter, Mosaicist, Writer, and Set Designer. Severini helped to organize the first Futurist exhibition outside Italy at Galerie Bernheim-Jeune, Paris, in February 1912 and participated in subsequent Futurist shows in Europe and the United States. He was buried at Cortona. But he merges these Cubist elements with the Futurist interest in capturing the dynamism of motion. [3], In 1916 Severini departed from Futurism and painted several works in a naturalistic style inspired by his interest in early Renaissance art. June 10, 2011, By Michael Glover / GINO SEVERINI Tutta l’opera grafica. Attraverso Giacomo Balla, ha incontrato il tecnica divisionista di Georges Seurat che influenzò parte della sua vita e che … The influence of Divisionism is evident here, with the complementary colors that accentuate contrast and bring a musical quality to the work, and the color palette can be attributed to the influence of Fauvism that had recently defined the Parisian avant-garde. Having exhausted his commitment to Futurism, and to the French avant-gardes' penchant for pictorial deconstruction, he shifted his interest to Neo-Classicism; a move that saw him aligned with the interwar "Return to Order" movement. Following a visit to Paris in 1911, the Italian Futurists adopted a sort of Cubism, which gave them a means of analysing energy in paintings and expressing dynamism. Indeed, Severini would channel the principles of Analytic and Synthetic Cubism in subsequent works. Severini was born into a poor family in Cortona, Italy. Gino Severini was born on April 7, 1883, in Cortona. He was particularly adept at rendering lively urban scenes, for example in Dynamic Hieroglyph of the Bal Tabarin (1912) and The Boulevard (1913). July 2013, By Celia White / In 1899 the Italian painter, graphic artist and sculptor went to Rome in 1899 to attend evening classes at the Villa Medici. 107: "Milano, collezione Marinetti (in deposito fino al 1925 c)." Nende mõlema kunstnikukarjäär sai alguse, kui nad kohtusid Giacomo Ballaga, kes oli itaalia … Based in Paris (rather than Milan or Rome) he is credited (amongst other things) with widening the scope and appeal of Futurism by focusing on contemporary urban life rather than the dynamic workings of machines. 13. ISBN 9788884163134) Gino Severini, Ragionamenti sulle Arti Figurative, Hoepli, Milano, 1936 (Seconda edizione riveduta ed aumentata con una nuova introduzione, Hoepli, 1942) (He wrote in his autobiography: "They were expensive, but being a good dancer, I was soon admitted free and received special favors".) December 10,1995, By Jessica Stewart / Severini began his painting career in 1900 as a student of Giacomo Balla, an Italian pointillist painter who later became a prominent Futurist. Le opere di Gino Severini a Montecitorio: conversazione con Nicoletta Maggi He explored fresco and mosaic techniques and executed murals in various media in Switzerland, France, and Italy. An early and important figure within the Futurist movement, the Paris-based Severini produced unique works that, through their emphasis on urban Parisian scenes (rather than machines), broadened the thematic possibilities for the movement. He received commissions to decorate the offices of KLM in Rome and Alitalia in Paris and took part in the exhibition The Futurists, Balla - Severini 1912–1918 at the Rose Fried Gallery in New York. Gino Severini, Du cubisme au classicisme J. Povolozky & Co., Parigi, 1921 (Edizione italiana: Gino Severini, Dal cubismo al classicismo, Milano, Abscondita, 2001. Having contributed retro-imperial walkways for Mussolini's bloated architectural edifices, he worked under the influence of a new spiritualism (one brough on by personal tragedy) that saw him visualize Christian parables for churches in Italy, Germany, and Switzerland. El Il 7 aprile 1883 nacque Gino Severini, Pittore italiano e uno dei principali precursori del movimento futuristico.. Originario di Cortona, si trasferì a Roma nel 1899 con sua madre, dove iniziò la sua formazione artistica in una scuola di disegno. ", "Mosaic can powerfully help restore to art the order, clarity and purity and also the sense of reality that the modern world with its many contradictions can no longer give. Gino Severini (7 April 1883 – 26 February 1966) was an Italian painter and a leading member of the Futurist movement. He studied at the Scuola Tecnica in Cortona until the age of fifteen, when he and a group of fellow-classmates were expelled from the entire Italian school system for the attempted theft of exam papers. In 1900 he met the painter Umberto Boccioni. Gino Severini (1883-1966) was one of the leading painters of the Italian futurist movement, which proposed a radical renovation of artistic activity in keeping with the dynamism of modern mechanized life. Certain physical details - the men in their bowler hats, for example - are very clearly represented". This new version he painted in 1959-60, now at Musée National d'Art Moderne, Paris, Dynamism of a Dancer (Dinamismo di una danzatrice, Ballerina di chahut), 1912, oil on canvas, 60 x 45 cm, Jucker Collection, Pinacoteca di Brera, Milan, La danse de l'ours au Moulin Rouge, 1913, oil on canvas, 100 x 73.5 cm, Musée National d'Art Moderne, Paris, Gino Severini, 1913, Tango Argentino, work on paper (published on the cover of Der Sturm, Volume 4, Number 192-193, 1 January 1914), c.1915-16, dimensions and whereabouts unknown, photo Léonce Rosenberg, published in Action: Cahiers Individualistes de Philosophie et d’art, Volume 1, Number 2, March 1920, Nature morte à la guitare, 1919. The Courtauldian / Content compiled and written by Sarah Ingram, Edited and revised, with Summary and Accomplishments added by Anthony Todd, "[Abstraction is] a sign of that intensity...with which life is lived today", "The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Summary of Gino Severini. ISBN 9788884163134) Gino Severini, Ragionamenti sulle Arti Figurative, Hoepli, Milano, 1936 (Seconda edizione riveduta ed aumentata con una nuova introduzione, Hoepli, 1942) Severini, Gino. For much of his life he divided his time between Paris and Rome. (123 x 92 cm.) [1] Per Daniela Fonti, with Maurizio Fagiolo dell'Arco, Gina Severini Franchina, et al., Gino Severini: catalogo ragionato, Milan: A. Mondadori, 1988, pp. Stimulated by Balla’s account of the new painting in France, Severini moved to Paris in … He was invited by Filippo Tommaso Marinetti and Boccioni to join the Futurist movement and was a co-signatory, with Balla, Boccioni, Carlo Carrà, and Luigi Russolo, of the Manifesto of the Futurist Painters in February 1910 and the Technical Manifesto of Futurist Painting in April the same year. "Paintings, Drawings, Pastels by Gino Severini," March 6–17, 1917, no catalogue (checklist no. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions. New York. Throughout his career he published important theoretical essays and books on art. Oxford Art Journal / There are 16,434 drawings online. According to art historians Dr Charles Cramer and Dr Kim Grant: "In Dynamic Hieroglyphic he adopts [Braque and Picasso's] recent innovations by including painted words and collaging sequins onto the painting's surface. - Pittore (Cortona 1883 - Parigi 1966). "[2][1] He lived in Montmartre and dedicated himself to painting. However, this novelty was lost on the work's caretakers and when it was exhibited in Alfred Stieglitz's New York gallery in 1917, it was hung as a regular square canvas. Gino Severini. His Futurist paintings built upon the geometry of Cubism, and he used iridescent color to achieve the dynamism, movement and energy that was synonymous with Italian Futurism. He was an important link between artists in France and Italy and came into contact with Cubism before his Futurist colleagues. Severini and Boccioni became Balla's pupils. Severini's declared that one could locate the dynamism of modern life, not so much in the driving pistons of machines, but more in the "beautifully masked and under-dressed women", the "showers of confetti" and the "multicolored streamers" he encountered in the nightclubs of Paris. But Severini stood apart from this tradition in his preference for studies of the human form. [1] For a while he worked with his father; then in 1899 he moved to Rome with his mother. Gino Severini (7 April 1883 – 26 February 1966) was an Italian painter and a leading member of the Futurist movement. It was there that he first showed a serious interest in art, painting in his spare time while working as a shipping clerk. 27 April - 25 July 2011, By William Zimmer / Gino Severini õppis Cortona Tehnikakoolis. Severini described the work as one of his best canvases. Like other modern movements, the Futurists wanted to show the modern world, not as it was seen (literally), but rather as it was experienced. 107: "Milano, collezione Marinetti (in deposito fino al 1925 c)." The "old world" is represented here through a horse and cart (to the right of the frame) which is juxtaposed by the dazzling headlights of a motorcar (on the left). November 16, 1999. Severini was one of the most progressive of all the twentieth-century Italian artists. For much of his life he divided his time between Paris and Rome. Gino Severini (7 April 1883 – 26 February 1966) was an Italian painter and a leading member of the Futurist movement. In this respect it is closer to the paintings of the Salon Cubists, such as Jean Metzinger's Dancer in a Café". Fan account of Italian artist Gino Severini. Severini was one of the most progressive of all the twentieth-century Italian artists. Cowling, Elizabeth; Mundy, Jennifer (1990).On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910–1930. Following a visit to Paris in 1911, the Italian Futurists adopted a sort of Cubism, which gave … She added that this pattern was most "vehemently [...] seen during and after the First World War, with Picasso's neoclassical turn, Gino Severini's 1916 series of figurative paintings exemplary in 'Maternity', and Juan Gris's mid-war return to figure subjects and old master paintings". [1] Per Daniela Fonti, with Maurizio Fagiolo dell'Arco, Gina Severini Franchina, et al., Gino Severini: catalogo ragionato, Milan: A. Mondadori, 1988, pp. He was awarded the Premio Nazionale di Pittura of the Accademia di San Luca in Rome, exhibited at the 9th Rome Quadrennal and was given a solo exhibition at the Accademia di San Luca. Futurists were well known for their fascination with kinetics - especially in movement of cars, trains and planes. His philosophy was that his Italian counterparts must visit Paris to learn about the cutting-edge developments in modern art. List of works Featured works (6) All Artworks by Date 1→10 (58) All Artworks by Date 10→1 (58) All Artworks by Name (58) Styles Cubism (17) Divisionism (2) Futurism (35) Impressionism (2) … Gino Severini, Du cubisme au classicisme J. Povolozky & Co., Parigi, 1921 (Edizione italiana: Gino Severini, Dal cubismo al classicismo, Milano, Abscondita, 2001. His modernist credentials were tested somewhat through his associations with the Fascist leader Benito Mussolini's "Third Rome" project (the dream of establishing a New Roman Empire), for which he provided murals and mosaics for architectural structures inspired by imperial Rome. A Roma dal 1899, conobbe U. Boccioni e G. Balla che lo introdusse alla tecnica divisionista. La Danseuse Obsedante (The Haunting Dancer, Ruhelose Tanzerin), 1911, oil on canvas, 73.5 x 54 cm, private collection, Le Boulevard, 1911, oil on canvas, 63.5 x 91.5 cm, Estorick Collection, London, The Pan Pan Dance (The Pan Pan Dance). He spent part of the war in Barcelona, but returned to Paris by July 1915. [4] After the First World War, Severini gradually abandoned the Futurist style and painted in a synthetic Crystal Cubist style until 1920. References. Andamento / In the 1950s he returned to his Futurist subjects: dancers, light and movement. Artist: Gino Severini (1883 - 1966) was an Italian painter and a leading member of the Futurist movement. Wikipedia article References. Severini later came to agree with Apollinaire. 291. Severini was one of the most important figures within the first flowerings of the Futurist movement. Gino Severini (Cortona, 7 aprile 1883 – Parigi, 26 febbraio 1966) è stato un pittore italiano che ha saputo unire scienza ed arte, rigore costruttivo e fantasia inventiva, raggiungendo la più completa felicità espressiva quando, tra il 1910 ed il 1915, innestò i valori dinamici del futurismo su quelli costruttivi del cubismo.Nato a Cortona, giunse sedicenne a Roma. The ideas of Divisionism had a great influence on Severini's early work and on Futurist painting from 1910 to 1911. His formal art education ended after two years when his patron stopped his allowance, declaring, "I absolutely do not understand your lack of order."[1]. Sinossi: 'La Via Crucis di Gino Severini \xc3\xa8 un percorso devozionale di Cortona, che si snoda lungo via Santa Margherita, dalla porta Berarda dove secondo la tradizione santa Margherita entr\xc3\xb2 in citt\xc3\xa0 nel 1272 da Laviano, alla basilica di Santa Margherita.' In the 1940s Severini's style became semi-abstract. 3,788 likes. [Internet]. The subject at the work's heart are dancing women; one with curled brown hair, bare-shouldered, whose pink, blue and purple dress contrasts with her partner who wears white. Gino Severini (1883-1966) Arlequin (Danseuse) firmato G. Severini (in basso a destra); firma, titolo, iscrizione e data G. Severini "DANSEUSE" Paris 1962 (sul retro) olio su tela cm 92x65 Eseguito nel 1962 Provenance. Gino Severini has 10 works online. Ascolta l'audio registrato martedì 16 febbraio 2021 in radio. You can see them all at the same time, the same way Cubism tried to show the many sides of the same head". A Roma dal 1899, conobbe U. Boccioni e G. Balla che lo introdusse alla tecnica divisionista. January 2, 2020, By Ilona Jesnick / In Rome he reconstructed his Pan Pan Dance mosaic, which had been destroyed in the war. A OFFERTA massima offerta pervenuta: Gino Severini, (born April 7, 1883, Cortona, Italy—died February 27, 1966, Paris, France), Italian painter who synthesized the styles of Futurism and Cubism. "Gino Severini Artist Overview and Analysis". The New York Times / Gino Severini was born on April 7, 1883, in Cortona. ... Wikipedia article. 7). Together they visited the studio of Giacomo Balla, where they were introduced to the technique of Divisionism, painting with adjacent rather than mixed colors and breaking the painted surface into a field of stippled dots and stripes. Interestingly, Severini used a diamond shaped canvas to enhance the sense of motion in this work - a move that would have been highly unusual at the time. For much of his life he divided his time between Paris and Rome. Severini settled in Paris in November 1906. Oxford Art Online / Pagina relativa all'argomento Wikipedia: Via Crucis di Gino Severini e le sue risorse collegate su BiblioToscana. L’artista accettò con entusiamo e con questa opera ha lasciato una grande testimonianza della sua umanità e della sua arte. His mosaics were shown at the Cahiers d'Art gallery in Paris and he participated in a conference on the history of mosaic at Ravenna. For much of his life he divided his time between Paris and Rome. This colorful abstract work represents the movement of a dancer, a propeller, and the sea. Museo dell'Accademia Etrusca e della città di Cortona, Biography of Severini in the Guide to Cortona, The Victor Batte-Lay Trust Permanent Collection, The Cubist Painters, Aesthetic Meditations, Estorick Collection of Modern Italian Art, A Sunday Afternoon on the Island of La Grande Jatte, https://en.wikipedia.org/w/index.php?title=Gino_Severini&oldid=1005967681, Pages using infobox artist with unknown parameters, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with suppressed authority control identifiers, Creative Commons Attribution-ShareAlike License, Premio Nazionale di Pittura of the Accademia di San Luca, Rome, This page was last edited on 10 February 2021, at 09:36. Seal osales ka Medicite villas kunstitundides ja 1901. aastal kohtus ta Umberto Boccioniga. [1], In his autobiography, written many years later, he records that the Futurists were pleased with the response to the exhibition at Galerie Bernheim-Jeune, but that influential critics, notably Apollinaire, mocked them for their pretensions, their ignorance of the main currents of modern art and their provincialism. The move was momentous for him. The books and articles below constitute a bibliography of the sources used in the writing of this page. He became part of the "return to order" in the arts in the post-war era. In 1923 and 1925 he took part in the Rome Biennale. Works such as The Two Pulchinellas (1922) exemplify Severini's turn toward a more conservative, analytic type of painting, which nonetheless suggests metaphysical overtones. These last are inspired by the emotion or intuition and de-pendent on atmosphere-ambience. Cortona/Arezzo 1883 - Paris 1966 Gino Severini was born in Cortona on 7 April 1883. After a decisive encounter with Giacomo Balla and Umberto Boccioni he began working as an artist in 1901. Smart History / Allowing for the influences of, Leaving behind the Parisian nightclub scene (to which he had become so attached), and disillusioned with the violent and chaotic path trodden by the Italian Futurists, a more reflective Severini turned to his friend, Putting to one side any sense of patriotic duty (the Futurist remained steadfast in their goal of maintaining a uniquely Italian culture), and the experimental tendencies of the French avant-garde, Severini joined a pan-European group of artists and intellectuals in his support for the interwar. Curator Lisa Messenger said of this piece: "In Severini's mind there was a visual equivalent between the movement of a dancer, an airplane propeller spinning and the roiling motions in the sea. Gino Severini, (born April 7, 1883, Cortona, Italy-died February 27, 1966, Paris, France) Italian painter who synthesized the styles of Futurism and Cubism. Musée de l'Orangerie, Paris / For example, we see parts of the head of the dancer on the left … In 1930 he took part in the Venice Biennale, exhibited in the Rome Quadrennials of 1931 and 1935, and in 1935 won the first prize for painting, with an entire room devoted to his work. By 1920 he was applying theories of classical balance based on the Golden Section to still lifes and figurative subjects from the traditional commedia dell'arte. Gino Severini. Gino Severini, (born April 7, 1883, Cortona, Italy-died February 27, 1966, Paris, France) Italian painter who synthesized the styles of Futurism and Cubism. Back in his native Italy, Severini's later career saw him bring renewed interest and credibility to the ancient art of Byzantine mosaics. Gino Severini. G ino Severini created over a hundred works portraying dancers in various settings between 1910 and 1914.1 While Severini was a major Figure within the Futurist movement that embraced the speed, technology, and industrial products Inspired by his hedonistic nights in Parisian clubs, the Dynamic Hieroglyphic of the Bal Tabarin depicts the movement and noise of the dancehalls which Severini loved to frequent. There he met most of the rising artists of the period, befriending Amedeo Modigliani and occupying a studio next to those of Raoul Dufy, Georges Braque and Suzanne Valadon. In 1913, he had solo exhibitions at the Marlborough Gallery, London, and Der Sturm, Berlin; it was during the show in London when he met and befriended British artist C. R. W. Nevinson, ultimately leading to the latter's decision to become a fellow Futurist. [4] He exhibited in Milan with artists of the Novecento Italiano group in 1926 and 1929 and in their Geneva exhibition of 1929. April 25, 2019, By Ester Coen / It shall simply be the dynamic sensation itself [...] On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career". Gino Severini fu chiamato a Cortona, sua città natale, negli anni 1944-1946 per eseguire l’opera musiva della Via Crucis. Gino Severini was born on April 7, 1883, in Cortona. He was associated with neo-classicism and the "return to order" in the decade after the First World War. The Burlington Magazine / Severini was a signatory of the Futurist Painting Technical Manifesto (with Balla, Boccioni, Carrà and Russolo) which stated: "The gesture which we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. es. The sale of his work did not provide enough to live on and he depended on the generosity of patrons. Gino Severini (7 April 1883 – 26 February 1966) was an Italian painter and a leading member of the Futurist movement. One of the ways in which Severini sought to achieve this was through rhythmical and repetitive shapes that recreated a kind of lyrical or musical effect. In later years, however, Severini was "reborn" through his new commitment to the Catholic faith which saw the artist produce religious mosaics so finely skilled they earned him the title: "Father of Modern Mosaics". Nende mõlema kunstnikukarjäär sai alguse, kui nad kohtusid Giacomo Ballaga, kes oli itaalia puäntillist ning kellest hiljem sai silmapaistev futurist. Intervista. Gino Severini was born on April 7, 1883, in Cortona. [Internet]. Severini wanted to create a multi-sensory experience, which he embellished with sequins around the canvas. He executed commissions for the church of Saint-Pierre in Freiburg and inaugurated the Conségna delle Chiavi ("Delivery of the Keys") mosaic. Alongside her dances a hatted and mistouched suitor whose moves are intimated through repeated shapes laid out in a spiral. 128-129, no. Installation views. His celebration of new technologies echoed the building excitement and optimism of the early decades of the … - Pittore (Cortona 1883 - Parigi 1966). Complementing his considerable achievements as a painter and mosaicist, Severini proved an accomplished polemicist, publishing theoretical essays and books on the art of painting throughout his long career. TheArtStory.org Content compiled and written by Sarah Ingram Edited and revised, with Summary and Accomplishments added by Anthony Todd Available from: First published on 29 Aug 2020. Stabilitosi nel 1906 a Parigi (dove trascorse, con intervalli, la maggior parte della sua vita), S. entrò in contatto con i circoli dell'avanguardia artistica e letteraria legandosi, in particolare, a P. Picasso, A. Modigliani, M. Jacob e P. Fort. He was an important link between artists in France and Italy and came into contact with Cubism before his Futurist colleagues. New York Times / April 3, 2012, By Souren Melikian / During the First World War he produced some of the finest Futurist war art, notably his Italian Lancers at a Gallop (1915) and Armoured Train (1915). Gino Severini õppis Cortona Tehnikakoolis. Among the public collections holding works by Gino Severini are: Gino Severini, aged 30, at the opening of his solo exhibition, Marlborough Gallery, London, 1913. Stimulated by Balla’s account of the new painting in France, Severini moved to Paris in 1906 and met leading … All Rights Reserved, Futurism (Movements in Modern Art series), Gino Severini: From Futurism to Classicism, Primitivism, Cubism, Abstraction: The Early Twentieth Century, The 1912 Futurist exhibition at the Sackville Gallery, Gino Severini (1883-1966): futuriste et neoclassique, Futurism: The Avant-Garde Art Movement Obsessed With Speed and Technology, Gino Severini, Dynamic Hieroglyph of the Bal Tabarin, Gino Severni: From the Future to the Past b, Severini and Van Dongen, Restless in a Rudderless 20th Century, Visual arts: The Futurist who slowed down, Dynamic Hieroglyphic of the Bal Tabarin (1912), Severini's Futurists works were distinguished in the way they privileged the lyrical and rhythmical joys of urban life. 1899. aastal kolis ta Rooma. It was also mis-hung when it went to the Metropolitan Museum of Art. October 2, 1980, By Andrew Mead / ", "One of the main causes of our artistic decline lies beyond doubt in the separation of art and sci-ence. Galerie Boutet de Monvel, Paris. An early and important figure within the Futurist movement, the Paris-based Severini produced unique works that, through their emphasis on urban Parisian scenes (rather than machines), broadened the thematic possibilities for the movement. The bright spectrum of color, interspersed evenly throughout the canvas introduce a note of dynamism and vitality. He contributed a cycle of works to the Paris Exhibition. Published in Les Annales politiques et littéraires, Le Paradoxe Cubiste, 14 March 1920, Paintings by Gino Severini, 1911, Souvenirs de Voyage, Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon, Severini, 1912–13, Portrait de Mlle Jeanne Paul-Fort, Luigi Russolo, 1911–12, La Révolte.

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